Playing with Fire

Some weeks ago I described my "Big Knitting Problem", basically that I like to knit Fair Isle projects and like to buy multi-colored yarn. Playing with Fire is a sweater design I created as an attempt to merge these two opposing inclinations. The project has turned out to be such fun that I decided its story deserved to be told.

The inspiration was a finished knit displayed in a wonderful yarn shop in NYC called String. This gorgeous sweater set was knit from a single shaded Koigu color, but two skeins were slip-stitched together so that the second skein produced a subtle pattern of dots across the fabric. I drooled a puddle on the store floor.

As I tried to mentally prepare for my stem cell transplant this past May one distraction was to set up a cheerful, easy project that I could work on in the hospital. I expected to have two weeks to knit til my fingers bled. I quickly decided that I wanted to experiment with a Fair Isle design that combined a multi with itself. With hardly any conscious manipulation my mouse clicked me over to the Blue Moon Fiber Arts website. Really, does anyone else have such an amazing selection of colors? I agonized over which multi I would go with, but in the end it was no contest. I was drawn to the vibrant colors of Fire on the Mountain. I ordered a huge pile, (10 skeins), in Heavyweight.

Then the tragedy. The yarn wasn't in stock, at least not in the truckload quantity that I'd ordered. It would have to be dyed. There was no way to get it in time for my hospital stay. I was disappointed, but picked up the next project on my list, the Comings & Goings Cardigan. That was a nice big gage and had some Fair Isle. I was content to wait. Sometimes it's just nice to be looking forward to getting a package.

It all worked out in the end. I was not up to knitting during my hospital stay anyways. I had the yarn delivered to my parents' house, where I was to spend a week recuperating before resuming a life filled with endlessly grueling homeowner tasks. It was a fun change of pace to share the dramatic box opening, releasing a rainbow of color into my parents' living room.

I swatched, (yes, really I swatched!), the dot pattern from String, one skein as a background, the other skein jumping in for a single stitch every third stitch on each fourth row. What was subtle and exciting in the shaded reds of Strings' sample garment completely disappeared in the mad colors of Fire on the Mountain. It wasn't going to work. I was in uncharted territory.

How could I best combine two busy skeins so that the viewer would see right away that there were two overlaid color motifs? The frantic color changes would only support larger areas so that each skein could exert its identity even while shifting shades. I decided on vertical stripes, but felt some sadness for the simplicity of the idea. That's how the stripes ended up with varying widths.

Originally my stripes alternated descending and ascending number sequences like this: 5 1 4 2 3 3 2 4 1 5, but the 2 3 3 2 area got very murky with the skeins each losing their identity. The winning swatch ended up being 5 1 4 2 3 2 4 1 5 1, presenting distinct pattern areas of wide stripes separated by a one stitch boundary, plus a 2 3 2 stripe that acts as its own unified design element. This arrangement had the added benefit that one skein would be used faster than the other, guarantying that the two skeins would shift colors at different rates across the fabric.

I was finally ready to forge ahead. The project even had a name now. All of my swatching led me to call it "Playing with Fire". (Note to self: Take pictures of failed swatches and project approaches... So much more interesting than describing them!) Here's the winning combination:

The sweater construction was selected for simplicity, a drop shoulder design whose boxy outline would allow the vertical stripes maximum free roam. I don't mind purling in Fair Isle so even though I briefly considered steeks, that idea was quickly rejected. (Steeks terrify me.) I measured my favorite bulky sweaters and chose dimensions to result in a slightly oversize fit without going as far as a complete frump out.
You can see from the picture that Playing with Fire is still a work in process. This is the first project that I've ever actually dreaded finishing. It's so much fun to work on! I realize that sometimes while I'm knitting I have this manic smile on my face as I watch the insane colors combine and recombine themselves. The wool is soft to the hand, but no-nonsense as far as workability. It even supports several cycles of ripping without fluffing out. I'm hoping that the ripples in the 2 3 2 stripes will block out, but like the effect enough to happily accept it if they don't.

For those interested in the technical details, I'm knitting on a single US#7 long circular for the whole thing, magic looping the sleeves. Gage is around 6 sts per inch, and that's giving me a fabric that's a little on the tight side. I'm using the Knitpicks Options needles. Here's Susan's favorite view... the inside!
I am very close to finishing the C & G Cardigan, but I think Playing with Fire's going to breeze past it. There's no doubt in my mind that I'll be able to wear it to the Rocking Sock Club Camp this coming April and collect all of the compliments that I expect on my lunatic creation, (per the theory presented in my previous post). I suspect that if I'd chosen a more restrained color the completed sweater would have more dignity, but I like this design specifically because regardless of color selection, it will always proudly announce itself as a hand knit.

Compliment Conundrum

Isn't it the greatest feeling to pull on a hand-knit that you're really proud of? You look in the mirror and say to yourself, "Wow, this really works!" There's a whole day ahead where everyone you know and don't know will admire your handiwork and smother you with compliments. You're psyched to get out into the world, even if your destination is your normal daily employment.

And then no one notices. Not a soul. It's surreal. Everyone complimented you on the ill-fitting beginner's project that you wore two days ago. What's going on?!

I've been thinking about this because I'm working on a somewhat strange sweater project. It makes me happy, but it's definitely not a statement of high fashion… or any other kind of fashion! It's my Playing with Fire Sweater. This garment is just painfully bright and cheerful, kind of like one of those morning people that most days you just want to avoid. As I was working on it last night it occurred to me that I can probably expect a lot of compliments on it. Then I had to think about what triggered that idea.

Here's my theory: Once a completed knit object achieves a certain level of quality, very few people will take notice and say something nice. I suspect that the garment actually goes beyond what most folks think a hand knit can look like. Sometimes they take for granted that it's store-bought. Sometimes they just don't notice it at all.

Of course if it doesn't fit, or the collar's a little funny, or the color selection is outside of mainstream, or the button band puckers, the anomaly catches the eye. The viewer is then likely to think, "What's up with that?" Their brain crunches away and "bing", they categorize the oddity as hand made. Next they recognize that you've probably attempted something that might be just a little beyond your capabilities. "This person's really trying to be creative. Good for them!", they might think. They may even hear suggestive frogs in the distance and not understand why…

That's when you'll suddenly hear, "Did you knit that? How nice!" Without any intent to boast I can say that I've experienced this comment often. It's because I've got plenty of projects that have "issues" that I like to wear anyways. It's fun and I'm not so proud. I freely admit that I've reached the point where I always wonder what I've done wrong when I hear those words from a stranger. Sadly cynical I suppose.

The project below netted me a compliment in the elevator at my lawyer's office. Honestly it looks much better on the floor than it does on me. Don't know that I could ever lose enough weight to really wear it without being hospitalized.
I consider the Dale sweater below to be the best I've done, (so far). Unsolicited compliment count: zero.
I used to be shocked when my knitting mentor Susan would tell me she wore her latest stunning creation and no one said anything. Her work always fits perfectly, is completely tasteful, perfectly executed, and often involves challenge outside the normal scope of a knitting project. I can only theorize that people can't imagine these works came off of knitting needles! (I've seen many of them in process and still have trouble believing it sometimes!) For myself, I hear those words much more often, but almost never when I'm wearing one of my few truly good projects.

Until recently that is. My latest effort has been the retraining of my co-workers. If you're suffering from the same lack of recognition you might want to try this as well. I make them listen to me talk about knitting at every possible opportunity. That way they always ask if I knit what I'm wearing. Last week I was asked if I knit a velour printed jacket! (Now that would be a trick!) Anyways, I'm very satisfied with this state of things. I'll never know for sure if anyone's really impressed with any of my projects, but I'll always have an excuse to talk about them!

The last part of the experiment is to see if all this knitting talk causes me to lose respect at work, or causes people to run the other way when they see me down the hall. I'll let you know as the experiment continues. Especially since if I keep this up I may end up with lots of unemployed time for talking and no one else to talk to!

So that's a whole lot of text without much detail on my beloved Playing with Fire Sweater. I'll save the fun knitting technology for next time. Just brace yourself for a project that's almost too joyful to tolerate!

Mermaid Fingerless Gloves, Postscript

It's finally time to wrap up this project and move on to new things. My sister's Mermaid Gloves are done and I have no plans to knit another pair, in spite of the various requests. There are too many other fun and fascinating patterns out there. Time is just too precious.

Before I leave the topic there are a few things that I learned on the second pair that really deserve mentioning along with my three part instructions, (August and October '07). Jo's pair was knit on US#1 needles, (the big US#1 if you like the accuracy of the metric world.), instead of on #0's. They were also knit from a lighter weight yarn, ShibuiKnits, rather than Socks that Rock Medium. I intentionally knit very tight for a minimized gage. The result was a glove that was shorter in length, but much more comfortable and wearable. My first pair feels a tiny bit bulky across the palm.

With the smaller gage I was afraid that the pattern would look excessively stretched when worn, but it really doesn't. I'm not sure what makes this pair more stretchy. It could be gage or yarn weight or some other yarn parameter that I can't name. Whatever it was, it worked out great. I'd recommend that if you're going to use Socks that Rock yarn, try the light weight instead of the medium. You might want to consider ShibuiKnits since that worked so well for me.

Look at the wonderful pooling I got from ShibuiKnits Midnight color! Here's palm down:And of course the thumb gusset that I'm so happy with... Here's palm up:

It was interesting that I got so used to doing the backwards Ktbl that it took some concentration to go back to the normal one. Some of that comes from doing two left gloves in a row, (mine second and Jo's first), but it also indicates to me that the stitch is really not that bad.

Overall, I'm very happy with the mirrored approach and still absolutely thrilled with my easy, organic thumb gusset. The slight difference in texture in the mirrored stitches is easily made up for by the symmetry in the final product and the opportunity to create this thumb gusset that grows out of the scale pattern. (That's my opinion obviously, and I expect that there are plenty of knitters and wearers that will disagree!)

Note to Monica (Passionknit): Glad to hear you're planned to knit your next pair mirrored! I'm looking forward to hearing what you think of the whole experience.

If there's anyone out there who really wants to take this project to the next level, they might be able to eliminate the slight texture difference in the mirrored stitch by spinning their own yarn, "S" twist for one glove and "Z" twist for the other. Go for it! I'd love for someone to confirm the yarn twist theory!

So that's all I have to say on the Mermaids. Now if I can just figure out how to hook all this info up with my new Ravelry account…

Note to Susan (WormSoup): Here's my active project list… Comings & Goings Cardigan, Playing with Fire Sweater, and Pyramids Sweater. The list is getting shorter again. Maybe the insanity has passed and I'm working my way back to being a "Serial Knitter". We'll see. I'd love to clear the sofa somewhat to make ready for a brand new project.

What's on your active list? Any Rhinebeck projects on needles yet?

Sheep, Rabbits, Goats, Llamas, Alpacas…

I'm referring to Rhinebeck of course. Before I pick up on all of the projects screaming for my attention, I have to pay homage to that most amazing of events, the Dutchess County Sheep and Wool Festival. I took lots of pictures, and realized after the fact that most of these were taken of the critters, not the vendors or shopping areas. Hey, when I'm shopping nothing else intrudes on my focus, not even the need to photograph!
The Featured Sheep this year was the Bluefaced Leicester, but each year I pick my own favorite breed. (In an alternate life I'll have a flock of these beauties, so it's critical that I make a careful selection!) For two years now the miniature breeds have been getting most of my attention. Here's a lovely little Cheviot sheep.

Shetland sheep are another favorite, especially after working on Pyramids, a Ron Schweitzer Fair Isle design. I was surprised and thrilled to see Yarns International at the Fest this year. These folks are purveyors of Shetland wool and patterns and work closely with Ron Schweitzer, the artist of so many amazing Fair Isle designs in natural and dyed Shetland colors. Among the outrageous samples displayed in the booth was this one by Jennifer Lindsay, (photo from book).

Check out that gorgeous and unique collar! I drooled puddles over the knit-up sample and then almost trampled my fellow shoppers after being told that the pattern was in Barbara Albright's book, "The Natural Knitter". I bought the book, specifically because I couldn’t resist this sweater, but I am already enjoying the rest of the content. I learned for example that goat tails stick up and sheep tails hang down... Crucial trivia at a Wool Fest!

Getting back to the sheep however, here's a collection of Shetland sheep that I really wanted to take home. Check out all the amazing range of colors!
Shopping was wonderful. For me the height of joy is sitting on the floor of a yarn store or booth with my friend Susan from WormSoup. This trip we found ourselves on the floor in the booth of The Needle Lady from Charlottesville, VA, looking at Hanne Falkenburg and Vivian Hoxbro kits. I regained consciousness from my yarn trance with a kit in my lap that I'd been lusting after for three years. It was obviously fate. Yes, I bought it.

By the way, for all of you who are considering various kit purchases, I heard from the proprietors of Mostly Merino, from Putney VT, that they'd noticed that the average time for someone to break down and buy a kit that they've been considering is about three years. So even though you think you're being strong, unless you've gone past three years, that kit you've been resisting is probably in your future. Go ahead and buy it now! Get a head start!

Another booth where a surprising amount of money left my wallet was Golding RingSpindles. Tom and Diane Golding were showing a black walnut ball winder that crossed over from knitting accessory to furniture to art. I wanted this thing badly! I was good. I resisted. I stuck with my plan to buy a nice plastic ball winder, around $40, as recommended by Susan. My self-discipline was founded on the decision that I had to be sure I would use it before making a bigger investment. But next year look out…

The surprise purchase at the Golding booth was a "Learn to Spin" drop spindle kit. At lunch on Sunday Susan and I were joined by a group of avid spinners who convinced us that with a drop spindle by Tom Golding we'd master spinning in no time. They should have gotten a commission. We bee-lined back to the Golding booth and both purchased the kits. By dumb luck I fell in love with the spindle that was included in the kit. "Tsunami". Susan upgraded to a spindle that certainly crosses into the art world. I'm hoping she'll post a picture of it on WormSoup. (Hint, hint.)
Susan and I also managed to come away with Socks that Rock sock yarn. Honestly I have to say that that's really trophy shopping. You can buy this yarn from Blue Moon Fiber Arts Inc. on line, but there's something about getting a few skeins at the Fest in person that just makes you feel a rush of superiority and victory. It even makes standing on one of the longest non-food lines in the Fest worthwhile. Near the end of the show we saw that there were only a few skeins left. Last year there were none, so I'm guessing The Fold probably brought an extra truckload.
In addition to the shopping, we were excited to discover that Stephanie Pearl-McPhee would be speaking as part of the book signing, new this year. I think it's been over two years since I've laughed so hard. Really good for the soul. I was bummed to realize that the one thing I forgot to bring was my Yarn Harlot book, "The Secret Life of a Knitter", but hopefully another opportunity will present itself to get that treasured possession signed.

Stephanie once again accomplished the amazing feat of helping us all be proud to be knitters while at the same time poking fun at our obsessions. Members of "CHOKE" beware! (Cultural Humiliation Of Knitters Everywhere - a secret, but widespread organization.) Apologies to Stephanie for this poor picture. After this early shot I was laughing too hard to take another!
There was much, much more, but I'll wrap up here with a picture from another favorite Fest moment. I touched noses with this friendly wool-bearing beast. It was a brief moment of communion with the creatures that bring us so much joy.

Into the Knitting Community

There's an interesting thing about blogging and I guess writing in general. It's not always easy to accomplish what you intend. I've posted everything I discovered about the Mermaid gloves, especially the left glove, and found that my description of all of the difficulties and solutions could actually be intimidating instead of empowering. Monica's comment on my previous post was an eye opener! Looking back, maybe some projects are better attacked without knowledge of all the roadblocks that knitters will otherwise pig-headedly solve along the way. I'm still hoping that sharing my experience will be helpful to some who knit those gloves, but now see that it won't work for everyone.

One thing I have accomplished is the joy of communicating about a project that I found really fascinating. Follow-on correspondence with Monica opened my eyes to some other approaches for solving problems like the color change in the mirrored glove. It never occurred to me to knit both gloves in the same direction! Check out this gorgeous pair, (link referred by Monica):
http://www.flickr.com/photos/23695339@N00/1363193710

The exchange of ideas has really been fun and enlightening, and that's why I originally decided to blog. Thanks so much Monica!

And Susan from WormSoup likes my sketches! No accounting for taste they say. I had really planned to do something nicer, but just wanted to get that posting out fearing that someone was actually knitting up the gloves and might want it. As long as the standards don't get too much higher, there may be more sketches in me. Thanks for the compliment!

I've been distracted from posting for a bit by the impending Dutchess County Sheep and Wool Festival in Rhinebeck. I attended with Susan (of WS) again this year, and as always we had the time of our lives. Those two days have been the best days of my year for quite a few years running now.

I'll have more about that happy experience in my next post. Today I think I need to take a look at some of the projects that are lurking around my sofa, demanding that I hold back from attacking my new Wool Fest projects. Maybe it will help me keep from running in thirty directions at once!

Unfortunately my project status going into the Fest was not what I had hoped. Comings & Goings Cardigan couldn't be finished. I've actually completed all of the finishing work except for the collar and I-cord along the front opening and around the neck, but I can't decide whether that will be a button band or not. Oh well. At least the impending Fest motivated me to get on with sewing the sleeves and tucking ends. Here's where that project stopped. (The gloves were thrown in for scale.)

I have good news on my sister's Mermaid Gloves. I was hearing the call of the frogs, (ribit, ribit, rip it…), thinking that with the gage going small Jo would not like the length. Over the previous weekend she tried on the in-progress left glove and was not only happy with the length, she also really liked the ShibuiKnits Midnight color! Amazing! What a relief! And I won't have to knit the thing over again! So excellent! Not much progress since, but here's what they look like right now. (Susan - By the way the last photos weren't on the beach. I just wish they were! This photo shows the glove posing on Pyramids.)
For relaxing evening knitting I brought my brainless buddy, Playing with Fire to Rhinebeck. This sweater hasn't seen much action as I've pounded through the left Mermaid Glove and the C & G Cardigan. I was thinking that it would be nice to get back to that project, but the evenings were mostly dedicated to collapse from exhaustion.

Lastly, my knitting fashion statement for the Fest… (Seeing everyone wearing their knit creations is a key part of this event!) Well this year I didn't really have a chance to show off anything. I put on my favorite old Bunny Sweater from way back, but that was way too warm. I was down to a t-shirt within 40 minutes. Here's the Bunny Sweater in case you think you might have seen me early Saturday. (The background is my wonderful Bunny Quilt from the Saint James Piecemakers.)
It was fun to see the determined few who were wearing lovely winter sweaters in the 72 degree weather, and also those who bravely fell back on draping a spectacular shawl over any warm weather clothes they'd packed regardless of color coordination. As always, the knitting skill on display was exciting and motivating.

So next year I should have Pyramids, C & G, and Playing with Fire to choose from, plus of course whatever creations come to me along the way! It would be awesome to have my Fiesta Surf Sweater done. Oh, the possibilities!

360 days to go!

Mermaid Fingerless Gloves, Part 3 - Sinister Left Mitt

Here at last is the final installation of my Mermaid Glove notes! Knitting my sister's gloves helped me nail down my best solutions for the problems presented by the mirrored monster. I suspect there are even better ways to solve these issues, but for those who just want to get the job done I've set down my method.

Before I dig in on these instructions let me tell you what the two biggest issues are:

1) The stitch pattern looks very different if reversed because a Ktbl has a natural direction to it.

2) Pattern rows don't naturally flow one to the next when knit in the opposite direction.

A little background on Issue #1: As I started the left glove the first time, it occurred to me that the Ktbl twist direction might be a problem. I looked really closely at Steph's photos on Craftoholic and thought that they looked like normal Ktbl's in spite of being knit in the mirrored pattern. I started my own left glove using a normal Ktbl and after one pattern block of 22 rows I was horrified. A normal Ktbl stitch recedes slightly on its left side, so that the scales of the right glove have a feeling of depth. The ridges all slope toward the center of the scale. With this feature reversed the pattern looked totally different. The scales came out flat and lifeless.

When I put the gloves on this effect was alleviated, but that wasn't good enough for me. I wanted a total right/left match, so I had to figure out how to make a mirrored K tbl. When I started over with my new, mirrored Ktbl stitch, I still saw some difference between the two gloves. I was mystified until Susan from WormSoup pointed out that the twist in the yarn itself also changes the appearance of a stitch! In the final product my left and right glove almost look like they're slightly different shades of purple, but that's probably something only their maker would notice.

The point of all that text was to tell you that you may want to swatch before you make any rash decisions on whether or not to use the mirrored stitch. It's really not difficult once you get going, but not everyone will care enough about the subtleties of texture to make it worthwhile. I also suspect that the stitch may come off one person's hand differently than another's, so the normal version might even look ok on both gloves for you.

In addition to the issue of learning this strange stitch, there can also be trouble with gage. You're trying to make matching gloves in two different stitches, so don't take for granted that gage will cooperate. My right glove is slightly longer than my left, but fortunately it's not noticeable when they're on my hands.
Issue #2 concerning the pattern rows… Well that's just strange. I spent some time staring at the chart with a big glass of red wine, but never saw the logic of why this pattern behaves so bizarrely when reversed. (Not sure that the red wine helped much there.) I've taken careful notes of what I did to deal with that however, and they're listed below as well.

So here goes…

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Part 3 - Mermaid Gloves, Sinister Left Mitt

Let's start with how to make a mirrored Ktbl stitch. I really did find these pretty easy once I got the hang of it. To make this work the stitch that's waiting to be knit must be facing toward the right instead left. Insert the right needle into the loop from the left by going behind the left, (front), leg of the loop. Catch the strand of yarn by sweeping the left needle underneath it from the left. Pull the yarn through the loop. You should have a new, right-facing loop on the right needle. Notice that even though the new stitch is not yet twisted, the one below it is. I've added some rough sketches so that my words will have a chance at making sense.

Caution: Check your gage! With the new stitch the left glove may very well knit up at a different gage from the right. (I sound like such a knitting author! Who ever really checks gage?! Then again, how many of us frog while regretting that??? Choose your poison…)

Onward to the actual glove. (All references to "Ktbl" actually mean the mirrored Ktbl.):

After cast on start the 1Ktbl x 1P rib on a Ktbl instead of a purl. Doesn't make that much difference, but if you're a perfectionist like me you'll appreciate the hint. Knit the rib to length per Part 1 of my instructions.

When you reach the beginning of the chart start at the left edge and read from left to right. Notice that on rows 1, 3, 5, 7, 9, 11, 12, 14, 16, 18, 20, and 22 the previous row's yarn overs must be reversed to face right before they are knit. Those are the rows where a Ktbl is knit onto a yarn over, and as I mentioned above mirrored Ktbl stitches must start out facing right in order to work. (I found that this made it very difficult to tog the yarn over with a Ktbl in rows 1 and 12, but for me it was worth it.)

Here's the first rub with the reversed chart. After row 11 the reversed chart tries to put two yarn overs together. Ignore the first yarn over in row 12. Past this row the stitches on each needle will resume beginning and ending with left-most and right-most chart stitches respectively, like a normal pattern.

After row 12 you'll see that a new scale is growing at the beginning of each needle. This scale is actually knit to the previous needle's stitch pattern, meaning that as the pattern progresses the very first scale in a round is actually knit to the previous row's pattern. Nothing to worry about, but do remember that detail when checking your work!

Once you've knit the 22nd round that entire first scale will really belong to the previous row. You'll still need to work that scale before you can start again with the row 1 pattern. Before (or as you knit) row 1 move one scale's worth of stitches from the left needle to the right at each break between needles. This makes your start point for the round shift over one scale, (12 stitches), for each vertical pattern group, or three scales all together before you start the thumb gusset. I could not find any more elegant way to deal with this crazy pattern.

Thumb gusset: The thumb gusset is worked the same way as it is for the right glove, by omitting all of the Ktbl tog's in a pattern block. The trick becomes selecting the best pattern block for creating the gusset. I'd recommend the sixth, (last), block. With the shifting stitches, your initial cast on knot will have moved 180 degrees around the glove. Putting the gusset in the sixth block keeps that starting knot symmetrical with the right glove and slightly to the underside of the piece.

There's one last potential pitfall. At this point your cast on knot has moved, your gusset's in a new place, and basically all frames of reference have gone out the window. Be very careful when re-establishing the beginning of the round before starting the fingers! My recommendation is to use the 1 x 1 rib to bring you to the vertical pattern edge next to what will be the pinky finger and reposition the work on the needles as required for that start point. It's a really good idea to put the glove on and make sure the thumb gusset is next to the opposite vertical pattern edge, and also that it's on the correct side of that edge! Knit one full row of rib per Part 2 of my instructions.

From here on the project should actually be fairly straightforward to mirror. Use the table of stitches from Part 2, but be sure to remember to mirror it.

The last step is to leave me a comment on FurrPurls with a web reference that will let me see your finished product!! (And, of course a heads up on any errata that you notice along the way.)

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Whew! Glad that's done. The Mermaids really are lovely, but I'm so, so ready to be working on something new. That absolutely huge pile of Fiesta wool's been calling to me incessantly! And there might just be some newly arrived wool calling too…

Pooling Mermaids

Looks like I've got a use for my PaintKnits program already! Jo's Mermaid Fingerless Gloves are pooling. We're not talking puddles. We're talking giant Olympic sized pools. All of those projects where I was dying to have the colors pool, but they refused. Now I'm looking for stripes and I end up with a total swim meet!! The photo above was edited to show front and back next to each other. (I only wish that I were that far along with the second glove!) I really do like the pooling shades, but they're not what I expected or discussed with Jo. If you've been following along you know that my determination to produce gloves that she'll love is making me a little bit batty.

Of course I'm also having a little issue with gage, (as always). The ShibuiKnits wool looked a tad fatter than the Blue Moon Fibers medium, plus my first pair of Mermaids was just a little tighter than I'd like. To compensate I moved to a US #1 and kept the knitting real tight. (Su at WormSoup: This was a big US #1, not the small. I wanted to use a small, but couldn't find one in my collection. Long live metric!)

The result has been pretty strange. The gloves are coming out slightly smaller than my first pair but are much more stretchy and comfortable. Weird. I'm sure Su will explain it to me. (The pressure's on, my expert friend! :-) )

At this point I think the key to this whole adventure is to have the second glove pool similarly to the first, so I'm going to see if I can take some control of these multi's. I've set up the Mermaid gloves in PaintKnits to simulate what's happening now, and plan to check the next skein to see if it's going to do the same thing.

The hardest part of this exercise is re-establishing the skein as it was looped for dying. Unfortunately ShibuiKnits is one of those wools where the wool is re-skeined after dying so that it's not as simple as untwisting the thing. In addition the shadings are subtle in strand form, showing up strongly only as they're knit. Here's what I came up with:
The loop at the bottom of this picture shows the re-established skein. It's looped into a horseshoe so that both ends are on the right. Once I figured out where the loop ends were I tied a loose knot at each end so that it would be easy to handle for measuring.

Now here's my simulated glove modelled on the skein that's currently in work. The program opens the circular knit and lays it flat so that the image shows the pattern all the way around. I'll admit that I'm surprised at how close this is to my results with the yarn! I'm one happy programmer!
I have two skeins left for this project. My next step will be to pick the skein which best matches the first one, especially in dyed loop length. That should (theoretically) give me similar pooling, all else staying the same.

Of course while I'm working on all of this my Comings & Goings cardigan is languishing for its finishing work. If I don't hustle it won't be ready for me to wear to the Dutchess County Sheep and Wool Festival, and that will be a huge disappointment. I'll have no new FO to show off! Very upsetting… but not upsetting enough to motivate me into tucking ends and sewing sleeves!!