Can this Year be Different?

I've never been big on formal New Year's resolutions, but there's a part of me that can't resist the urge to effect change in my existence starting with the change over to a new year. This year I'm going to admit that there are definitely changes that need to be made and I will risk public failure by admitting them here. You can be witness to how well I do.

1. I want to pick up the fight again to improve my daily existence. Even though I feel much better than I did in the months following my stem cell transplant for multiple myeloma, I definitely do not feel good. The doctors I'm working with aren't interested in my current problems. (In their defense their area of concern is cancer. They're satisfied with my blood work and expect me to talk to someone else about my new problems.) I need to find a doctor who'll help me live a more comfortable life and I need to take better care of myself.

2. I need to pull myself together as far as the tasks that we must do to survive in this world. That means getting work done on the house as needed, taking care of nasty paperwork (flex spending forms and medical billing problems), finding someone to do my taxes professionally, and even making time to enjoy my social relationships. I haven't always been good at getting all of that done, but working through it while feeling unwell all the time has been a hike up Mt. Everest barefoot.

3. I want to enjoy more of the technology of the on-line knitting world. My Ravelry account languishes with the only visible proof of my existence being the list of blog entries. I haven't gotten things going with Flickr either, which has to precede Ravelry. Susan's help has allowed me to add the buttons that you see to the right, but I'd like to add more and would like to personalize the blog with a logo. I'd like to learn more about html and maybe even set up a website to play with, but that might really be setting sights too high.

4. In addition to growth in software competency, I know that I must replace and upgrade my computer. My ancient machine and Windows 98 just don't cut it anymore, plus I need to be able to do mechanical design work at home with my employer's new 3D CAD program. (Maybe I should resolve to do less work at home, but we won't even go there!) Anyways, I've already bought a new camera and am in the process of learning to use it. Can I be a techno-wizard by the end of '08? Doubtful, but I might be able to have more fun with tech tools.

That's a pretty intimidating set of goals for someone who doesn't do New Year's resolutions, isn't it? No guts, no glory.

Here's my new camera. I absolutely love it, by the way. It's a Panasonic Lumix DMC-FX55. It requires a little more interaction to get some of the weirder shots my Olympus would take easily, but it also takes some pictures that the Olympus refused to. Overall a very satisfactory trade-off.

I've got it snapped onto a Joby Gorillapod stand from Best Buy for these pictures. The Gorillapod's been a blast to play with as well. My Dad got this same camera for Christmas and says that the addition of the Gorillapod also helps him hold and steady the camera.

Check out the generous size of the LCD!
Here's where I have to admit that none of the pictures you see here come from this wonderful camera yet. My tried and true Olympus D-450 captured all those presented here. I still haven't figured out how to download the pics from my new FX55! (See item 4 above!)

My immediate knitting goals are fortunately much more modest; finish up my 2007 RSC socks and plan the most amazing sweater ever for my Fiesta Boomerang Surf yarn. Last night I finished the RSC Summer Socks except for blocking. (These require that the lace cuff be blocked, and yes, it is needed.) The right hand sock has its cuff blocked.

I also swatched one of the amazing color effects that my PaintKnits spreadsheet discovered. Here's the PaintKnits patterning.
Here's my swatch.
Pretty cool, huh? I still need to swatch and measure the other stitches I want to use in this project so I can model them too, but the design is firming up. I want to set up this sweater design so that the color effect that comes from the multi yarn serves as a design element, not just a random, fun, let's-see-what-happens afterthought.

My Knit Nest sofa continues to be inhabited by the C & G cardigan and Pyramids. I guess my resolutions should include finishing those up. Unfortunately neither one is inspiring enthusiasm right now, so they'll probably wait for a bit. This month the Rockin' Socks are on a roll!

Dreaming of Stashed Yarn

Happy New Year! I'm starting 2008 with a small victory! My stash has been containerized under the bed. Does this mean I'll dream woolly dreams? I hope so.

I used some extra cedar planking left over from lining the Pottery Barn coffee table cubes to cover the bottom of each under-bed box. Of course before they could be used the planks needed to be cut roughly to length, sanded, and damp-wiped clean. I hope that this pungent wood will be enough to protect my precious collection. Really I had wanted boxes that snapped tightly shut as well. Once I tried these boxes out at home I found that they snap fairly tight on the ends, but are pretty loose around the middle. I'm thinking about adding a section of cedar along each wall near the middle of the box, but haven't gotten back to that yet. If anyone out there has any experience or thoughts, please let me know. We must band together against the flying vermin!

Here's the first box, all set for stash.


Here's some stash.
And some more stash.

And more stash.
And yes, more stash.
Hey! I've got two boxes left. Think I'll head over to the Loopy Ewe site…

My red Lace Leaf Scarf is completely knit. The 13.75 pattern repeats that I was able to get from each skein by using smaller needles actually gave me the 48 inches of length that the pattern called for. Plus I finished the project with two skeins instead of three. That's a good thing when two is all you've got, and when the yarn is pretty seriously expensive! It took me a while to figure out why each side was supposed to be ended after row 12 of the 16 row pattern, but the intent became clear when I matched the ends up. Row 12 is the closest you can get to having the leaf edges blend into each other. (Don't you wish patterns would give us the reasons for these things? It would save pig-headed knitters like me from ripping back extra rows added in defiance of arbitrary sounding instructions! Or maybe I'm just part of a minority that's always asking "why?".)

This project's going to be finished soon and I really don't want to face getting all depressed about project selection again, so I've already decided that I'm going to catch up on my Rocking Sock Club kits. The latest and last kit takes me back to a trip that I remember fondly, so it may be the first up in spite of the knit cuff from the Summer sock that's hanging out on the sofa and the already wound Raven yarn from the Fall kit. While I'm catching up on those kits I'll be thinking about designing a sock in one of Cat Bordhi's new "Pathways".

Of course the Surf sweater isn't far from my mind either. I want to swatch a different stitch for edgings, maybe garter, and put it into PaintKnit to find the most interesting color pooling.

Here's the blocking update. Playing with Fire's blocked, as you can see. I ended up wet blocking after spending a few minutes trying to steam the ridges out of the vertical lines. Wet blocking worked really well, but did involve hauling on the sweater's edges pretty vigorously. The sweatshirt-like fit that I had planned morphed into a tunic fit by the time I was done. I'm not thrilled with what it does for my figure, but then again I should really be doing something myself for my figure!!
I also blocked the RSC Summer Sock cuff. Wasn't sure why the cuff must be blocked before continuing with the sock leg, but I think it has to do with determining the length for the ribbing that's to be hidden behind the cuff. When I knit the second sock I'll skip the blocking step, and then I'll find out the hard way why it's in there!
By the way, have any of you lost a special hand-made glove? Check out this wonderful website, onecoldhand, for lucky losers… glove losers that is, in the Philadelphia area. Isn't it nice to know that there's a little extra insurance against the tragedy of separation for hand-knit gloves? What a fabulous idea! They've even started a branch in NYC! Now my gloves will feel much safer going to the city.

I've waited too long to write and now have to stop myself so that something actually gets posted! Next time there should be more on the red scarf, RSC Socks, and maybe even the Surf Sweater. And next time is planned for soon!

Messin' with Multi's

For anyone who was worried about me, no, the Stash didn't get me. It's still ruling my existence, but I continue to work, eat, sleep, and even knit at times. I guess I'm just happy it doesn't demand access to the TV remote.

I've actually been struggling with lining up my next project. An exercise that should be one of the most fun parts of knitting took on something of a dark overtone this time around. Even though my multiple myeloma is in remission, it's pretty hard to forget. This time I looked at all of the projects I want to knit and tried not to think about whether I'll really have a chance to do the ones I put aside. So I ended up not feeling much like communicating about the whole experience.

I'm glad to be back. Playing with Fire's finished and waiting to be blocked. My next projects are on the needles. The big project waiting beyond those is on paper and in my computer. All of these projects have a common theme, (predictable given the composition of my stash), and that's that they all use multi color yarn. Unfortunately none of the concepts I'm playing with right now are Fair Isle, but I'm enjoying them just the same.

The project that's getting lots of attention at the moment is a Lace Leaf Scarf. Even though the pattern's source is Vogue Knitting, the source of my inspiration is this posting by Grumperina about a beloved gift from a friend. I never gave the scarf a second look in Vogue because they showed it knit with a very open gage. The pictures that Grumperina posted show a wonderful ripply effect and leaves that have much more body. Very cozy and inviting, at least to me. By strange coincidence, this same stitch pattern showed up at about the same time on Yarn Harlot as a pair of socks called "Embossed Leaf". (See Stephanie's Dec. 7 posting.) When you're hot, you're hot!

Yarn for the Lace Leaf Scarf is a Cashmere Koigu sold only at String in NYC, shades of red closing in on black in spots. It's not as soft as I'd usually expect from Cashmere, but somehow it has an extra cushiness that's unusual and appealing to both touch and eye. This yarn's really been talking to me, wanting to cuddle around my neck while I drive to work and Christmas shop. I'm sure I've stretched its patience by taking so long to find just the right pattern. (I've had it for some months now from a city trip with Susan.) I didn't buy enough to do the full lacy length called for in VK, but by knitting it on smaller needles, (US#3 instead of US#5), I've decreased the width. Estimating by the weight that went into one pattern round, I'm only going to be a few inches short in spite of having only two skeins instead of three.

The Cashmere Koigu skeins are the two on the right. Their current competitors for my attention are Blue Moon's RSC Raven in color Lenore, then two by Hand Maiden, Sea Silk in Sangria, and Mini Maiden in Amethyst. (Loopy's pictures of the Sea Silk don't show the precious-metal sheen of this amazing stuff.)
I'm very happy with the way this scarf is turning out and also with the loops-through-loops experience. I can't wait to wear the finished scarf, but once again don't want to finish!
I also mentioned that Playing with Fire is waiting to be blocked. That will probably happen this weekend along with blocking of the first cuff of the Summer RSC sock. The exciting finish of the Fire project is all tied up in the strange behavior of the insanely varied multi yarn. Blue Moon's Fire on the Mountain color has a dark band across the middle of the skein with rainbow colors all around it. In the collar of my sweater the dark band hit three times so that each round alternated the forward and return colors in the skein loop. This was the resulting effect.Isn't that wild?! Even the lighting bolt effect is perfect for a project named "Playing with Fire"! I just enjoyed everything about this silly project. Hope blocking goes well. Also hope I don't double in weight over Christmas so that I end up looking totally dumpy in it!!

Speaking of crazy pooling effects, I've begun the analysis of my amazing Fiesta Boomerang Surf yarn. It's been a while since I raved about how much I love this yarn. Right now I'll just say that while the rest of my stash has been banished to the floor of the Knit Pit, Surf continues to enjoy a privileged and reserved location on the sofa with me. Yes, all nine skeins. Even a swatch of this stuff reduces me to tears with its beauty. I wonder if I should buy enough to decorate my house…

As a token of my great love for Surf I've set up my PaintKnits program to analyze how the multi will behave. I will settle for nothing less than perfection on this project, (even though I'm sure this yarn could never be ugly in any form). Here are some of the fun poolings I've come up with based on pattern width and the start point in the color banding. These could be button bands or borders.
Check out these lovely patterns.
And this one's worth setting up a design around just to see if it really happens!

I'm deep into sketching my design for this sweater and can't wait to feel that Fiesta slipping through my fingers. We'll just have to see if I can exercise enough discipline to finish up the C & G cardigan first. (Not likely at all! Notice I don't even mention all those ends that need tucking on Pyramids!)

These are all fun and wonderful things to think about, (except for tucking those ends). Maybe I'll be smarter this time about lining projects up ready to go before I run out. Or maybe more time spent swimming in Surf is what my spirit needs. The future will tell.

Out of Control

There was no question that this time the beast was playing to win. The tamer circled it warily. Muscular ripples of color covered its form, the epitome of brute power. Its size alone was enough to cause a rush of panic in spite of the tamer's years of experience. This time was different.

The tamer desperately fought the urge to give in to the seductive and hypnotic beauty of the monster. Focus had to be maintained. Containment must be achieved. There was no longer an option to attempt a loving approach. No possibility that the tamer could run her hands gently over the creature, shaping its performance into grace and art as she had done so often before. The time for that was past. This being had grown huge, a giant mass which allowed no entrance to its enclosure, ferocious in its ability to destroy even the psyche of its cohabitants.

Battle engaged. The tamer grabbed frantically at the exposed fringes of the beast bare-handedly ripping away at its bulk. It did not flinch. Frantic effort was rewarded with no discernable change in the size and strength of the behemoth. No response at all. Lunging desperately toward its heart the tamer finally felt despair. This creature had no soul. Mitosis occurred before her very eyes. With no apparent reduction of its massive power the beast divided, surrounding her with walls of brain-ripping color, every shade and hue she'd ever loved.

Consciousness was slipping away. A final thought flickered in the tamer's mind before she succumbed. "I think I feel qiviut under my left elbow. Forgot I had that." Then it was over.

********************

Ok. I'm having some stash trouble. Yes, it's pretty serious. Not quite ready to dial 911, but getting close. I realized the other day that I don't play DVDs any more because I can't get to the TV. My original stash-control plan just isn't working… I was just going to knit really, really fast.

Here's just one stash location. I refuse to photograph all of the stash outposts. (Those two dark wood cubes are completely stuffed.)

I've broken down and bought 6 huge, (41 quart) under-bed boxes, giving up on my resolve to add no new stash locations beyond the large cedar chest (below) and two Pottery Barn coffee table cubes (above) that I lined with cedar. I'm now facing the terror that even those six new boxes may not contain my stash. This is not a good situation.

Here's my last hope for containment. Hope those boxes are bigger than they look stacked! (That is the packed cedar chest by the way.)

I'll update on this activity as I proceed. Unless of course the stash wins…

In other, happier news, my friend and knitting mentor Susan has been chosen as a finalist in DishRag Tag. Congratulations! (I can't wait to talk about this at work!) Check out the finalists and vote here. Voting is only being held to the end of today, so hurry!

Playing with Fire

Some weeks ago I described my "Big Knitting Problem", basically that I like to knit Fair Isle projects and like to buy multi-colored yarn. Playing with Fire is a sweater design I created as an attempt to merge these two opposing inclinations. The project has turned out to be such fun that I decided its story deserved to be told.

The inspiration was a finished knit displayed in a wonderful yarn shop in NYC called String. This gorgeous sweater set was knit from a single shaded Koigu color, but two skeins were slip-stitched together so that the second skein produced a subtle pattern of dots across the fabric. I drooled a puddle on the store floor.

As I tried to mentally prepare for my stem cell transplant this past May one distraction was to set up a cheerful, easy project that I could work on in the hospital. I expected to have two weeks to knit til my fingers bled. I quickly decided that I wanted to experiment with a Fair Isle design that combined a multi with itself. With hardly any conscious manipulation my mouse clicked me over to the Blue Moon Fiber Arts website. Really, does anyone else have such an amazing selection of colors? I agonized over which multi I would go with, but in the end it was no contest. I was drawn to the vibrant colors of Fire on the Mountain. I ordered a huge pile, (10 skeins), in Heavyweight.

Then the tragedy. The yarn wasn't in stock, at least not in the truckload quantity that I'd ordered. It would have to be dyed. There was no way to get it in time for my hospital stay. I was disappointed, but picked up the next project on my list, the Comings & Goings Cardigan. That was a nice big gage and had some Fair Isle. I was content to wait. Sometimes it's just nice to be looking forward to getting a package.

It all worked out in the end. I was not up to knitting during my hospital stay anyways. I had the yarn delivered to my parents' house, where I was to spend a week recuperating before resuming a life filled with endlessly grueling homeowner tasks. It was a fun change of pace to share the dramatic box opening, releasing a rainbow of color into my parents' living room.

I swatched, (yes, really I swatched!), the dot pattern from String, one skein as a background, the other skein jumping in for a single stitch every third stitch on each fourth row. What was subtle and exciting in the shaded reds of Strings' sample garment completely disappeared in the mad colors of Fire on the Mountain. It wasn't going to work. I was in uncharted territory.

How could I best combine two busy skeins so that the viewer would see right away that there were two overlaid color motifs? The frantic color changes would only support larger areas so that each skein could exert its identity even while shifting shades. I decided on vertical stripes, but felt some sadness for the simplicity of the idea. That's how the stripes ended up with varying widths.

Originally my stripes alternated descending and ascending number sequences like this: 5 1 4 2 3 3 2 4 1 5, but the 2 3 3 2 area got very murky with the skeins each losing their identity. The winning swatch ended up being 5 1 4 2 3 2 4 1 5 1, presenting distinct pattern areas of wide stripes separated by a one stitch boundary, plus a 2 3 2 stripe that acts as its own unified design element. This arrangement had the added benefit that one skein would be used faster than the other, guarantying that the two skeins would shift colors at different rates across the fabric.

I was finally ready to forge ahead. The project even had a name now. All of my swatching led me to call it "Playing with Fire". (Note to self: Take pictures of failed swatches and project approaches... So much more interesting than describing them!) Here's the winning combination:

The sweater construction was selected for simplicity, a drop shoulder design whose boxy outline would allow the vertical stripes maximum free roam. I don't mind purling in Fair Isle so even though I briefly considered steeks, that idea was quickly rejected. (Steeks terrify me.) I measured my favorite bulky sweaters and chose dimensions to result in a slightly oversize fit without going as far as a complete frump out.
You can see from the picture that Playing with Fire is still a work in process. This is the first project that I've ever actually dreaded finishing. It's so much fun to work on! I realize that sometimes while I'm knitting I have this manic smile on my face as I watch the insane colors combine and recombine themselves. The wool is soft to the hand, but no-nonsense as far as workability. It even supports several cycles of ripping without fluffing out. I'm hoping that the ripples in the 2 3 2 stripes will block out, but like the effect enough to happily accept it if they don't.

For those interested in the technical details, I'm knitting on a single US#7 long circular for the whole thing, magic looping the sleeves. Gage is around 6 sts per inch, and that's giving me a fabric that's a little on the tight side. I'm using the Knitpicks Options needles. Here's Susan's favorite view... the inside!
I am very close to finishing the C & G Cardigan, but I think Playing with Fire's going to breeze past it. There's no doubt in my mind that I'll be able to wear it to the Rocking Sock Club Camp this coming April and collect all of the compliments that I expect on my lunatic creation, (per the theory presented in my previous post). I suspect that if I'd chosen a more restrained color the completed sweater would have more dignity, but I like this design specifically because regardless of color selection, it will always proudly announce itself as a hand knit.

Compliment Conundrum

Isn't it the greatest feeling to pull on a hand-knit that you're really proud of? You look in the mirror and say to yourself, "Wow, this really works!" There's a whole day ahead where everyone you know and don't know will admire your handiwork and smother you with compliments. You're psyched to get out into the world, even if your destination is your normal daily employment.

And then no one notices. Not a soul. It's surreal. Everyone complimented you on the ill-fitting beginner's project that you wore two days ago. What's going on?!

I've been thinking about this because I'm working on a somewhat strange sweater project. It makes me happy, but it's definitely not a statement of high fashion… or any other kind of fashion! It's my Playing with Fire Sweater. This garment is just painfully bright and cheerful, kind of like one of those morning people that most days you just want to avoid. As I was working on it last night it occurred to me that I can probably expect a lot of compliments on it. Then I had to think about what triggered that idea.

Here's my theory: Once a completed knit object achieves a certain level of quality, very few people will take notice and say something nice. I suspect that the garment actually goes beyond what most folks think a hand knit can look like. Sometimes they take for granted that it's store-bought. Sometimes they just don't notice it at all.

Of course if it doesn't fit, or the collar's a little funny, or the color selection is outside of mainstream, or the button band puckers, the anomaly catches the eye. The viewer is then likely to think, "What's up with that?" Their brain crunches away and "bing", they categorize the oddity as hand made. Next they recognize that you've probably attempted something that might be just a little beyond your capabilities. "This person's really trying to be creative. Good for them!", they might think. They may even hear suggestive frogs in the distance and not understand why…

That's when you'll suddenly hear, "Did you knit that? How nice!" Without any intent to boast I can say that I've experienced this comment often. It's because I've got plenty of projects that have "issues" that I like to wear anyways. It's fun and I'm not so proud. I freely admit that I've reached the point where I always wonder what I've done wrong when I hear those words from a stranger. Sadly cynical I suppose.

The project below netted me a compliment in the elevator at my lawyer's office. Honestly it looks much better on the floor than it does on me. Don't know that I could ever lose enough weight to really wear it without being hospitalized.
I consider the Dale sweater below to be the best I've done, (so far). Unsolicited compliment count: zero.
I used to be shocked when my knitting mentor Susan would tell me she wore her latest stunning creation and no one said anything. Her work always fits perfectly, is completely tasteful, perfectly executed, and often involves challenge outside the normal scope of a knitting project. I can only theorize that people can't imagine these works came off of knitting needles! (I've seen many of them in process and still have trouble believing it sometimes!) For myself, I hear those words much more often, but almost never when I'm wearing one of my few truly good projects.

Until recently that is. My latest effort has been the retraining of my co-workers. If you're suffering from the same lack of recognition you might want to try this as well. I make them listen to me talk about knitting at every possible opportunity. That way they always ask if I knit what I'm wearing. Last week I was asked if I knit a velour printed jacket! (Now that would be a trick!) Anyways, I'm very satisfied with this state of things. I'll never know for sure if anyone's really impressed with any of my projects, but I'll always have an excuse to talk about them!

The last part of the experiment is to see if all this knitting talk causes me to lose respect at work, or causes people to run the other way when they see me down the hall. I'll let you know as the experiment continues. Especially since if I keep this up I may end up with lots of unemployed time for talking and no one else to talk to!

So that's a whole lot of text without much detail on my beloved Playing with Fire Sweater. I'll save the fun knitting technology for next time. Just brace yourself for a project that's almost too joyful to tolerate!

Mermaid Fingerless Gloves, Postscript

It's finally time to wrap up this project and move on to new things. My sister's Mermaid Gloves are done and I have no plans to knit another pair, in spite of the various requests. There are too many other fun and fascinating patterns out there. Time is just too precious.

Before I leave the topic there are a few things that I learned on the second pair that really deserve mentioning along with my three part instructions, (August and October '07). Jo's pair was knit on US#1 needles, (the big US#1 if you like the accuracy of the metric world.), instead of on #0's. They were also knit from a lighter weight yarn, ShibuiKnits, rather than Socks that Rock Medium. I intentionally knit very tight for a minimized gage. The result was a glove that was shorter in length, but much more comfortable and wearable. My first pair feels a tiny bit bulky across the palm.

With the smaller gage I was afraid that the pattern would look excessively stretched when worn, but it really doesn't. I'm not sure what makes this pair more stretchy. It could be gage or yarn weight or some other yarn parameter that I can't name. Whatever it was, it worked out great. I'd recommend that if you're going to use Socks that Rock yarn, try the light weight instead of the medium. You might want to consider ShibuiKnits since that worked so well for me.

Look at the wonderful pooling I got from ShibuiKnits Midnight color! Here's palm down:And of course the thumb gusset that I'm so happy with... Here's palm up:

It was interesting that I got so used to doing the backwards Ktbl that it took some concentration to go back to the normal one. Some of that comes from doing two left gloves in a row, (mine second and Jo's first), but it also indicates to me that the stitch is really not that bad.

Overall, I'm very happy with the mirrored approach and still absolutely thrilled with my easy, organic thumb gusset. The slight difference in texture in the mirrored stitches is easily made up for by the symmetry in the final product and the opportunity to create this thumb gusset that grows out of the scale pattern. (That's my opinion obviously, and I expect that there are plenty of knitters and wearers that will disagree!)

Note to Monica (Passionknit): Glad to hear you're planned to knit your next pair mirrored! I'm looking forward to hearing what you think of the whole experience.

If there's anyone out there who really wants to take this project to the next level, they might be able to eliminate the slight texture difference in the mirrored stitch by spinning their own yarn, "S" twist for one glove and "Z" twist for the other. Go for it! I'd love for someone to confirm the yarn twist theory!

So that's all I have to say on the Mermaids. Now if I can just figure out how to hook all this info up with my new Ravelry account…

Note to Susan (WormSoup): Here's my active project list… Comings & Goings Cardigan, Playing with Fire Sweater, and Pyramids Sweater. The list is getting shorter again. Maybe the insanity has passed and I'm working my way back to being a "Serial Knitter". We'll see. I'd love to clear the sofa somewhat to make ready for a brand new project.

What's on your active list? Any Rhinebeck projects on needles yet?